We Ranked Madonna’s 20 Best Music Films –Happy Birthday to the Queen of Pop!

Produced in 1958, Bay City, Michigan indigenous Madonna is mentioned as the highest-selling female recording artist by Guinness World Records, also Billboard‘s successful solo action ever –second overall behind only The Beatles. The documents go on and on, and it is simply not possible to overstate her contribution to popular culture.

Now, the artist turns 60. As a tribute to over three years of inspiration and entertainment, we have compiled a record of her best songs videos. The Queen of Pop and the contemporary moderate both climbed to prominence at the first 1980therefore, and her contribution to this kind is essentially unmatched.

In ascending order, these are Madonna’s 20 most memorable music movies of all time. Jump in. It is a celebration. Erotica (1992)

Madonna watched the harshest backlash of her livelihood in 1992. Her fifth studio record Erotica premiered three months following her coffee table publication Gender  divided critics, many stating the artist had just gone too far.  Erotica endured commercially as a consequence the lowest-selling studio record of her career at that moment. These days, the jazzy, dim Erotica is known among the very best, most adventurous pop LPs of this 1990therefore, and its influence is indisputable from the work of artists such as BeyoncéRihannaP!nk, Britney SpearsLady GagaChristina Aguilera and Nicki Minaj.

The movie tied in with the coffee table publication, including risqué visuals and guest appearances by Isabella Rossellini and Naomi Campbell.  It had been deemed too racy by MTV and prohibited from broadcast on the community. Living For Love (2015)

Oh, what a pleasure it was to Madonna fans when in 2015, over three years into her career, ” The Queen of Pop dropped one of her finest tracks . The lead single from Rebel Heart is a victory about perseverance and keeping an open heart, even if it’s already been busted. The creation is a union of gospel choir along with a profound bass EDM beat only Madonna can pull off, together with Alicia Keys on percussion and piano. The arresting video employs a matador motif and Madonna’s love of dancing to communicate a message about overcoming demons and darkness.

A number of Madonna’s critics say she’s calculating. But only have a look at her artistic outcome, what she is saying and how she says . Her entire body of work could be more humanist, lush and lively.  Living For Love indicated that she is not slowing downand that we do not need her to. Material Girl (1985)

Many scholars and critics concur Like a Virgin is that the second that cemented Madonna as a pop culture legend. The video for the album’s lead single, that observed the singer suggestively slinking through the canals of Venice, was obviously phenomenally popular–but finally the followup movie,”Material Girl,” proved much more iconic. The catchy-as-all-get-out song is set to vision which pays tribute to Marilyn Monroe‘s operation of”Diamonds are a Girl’s Best Friend” from Gentlemen Prefer Blondes.  Madonna most recently completed this course on her Heart Tour, staging something of an homage to the movie. Live to Tell (1986)

This is usually cited as Madonna’s best ballad. She composed all the lyrics, co-composing and co-producing the psychological track about youth scars and also the will to endure. Madonna softened her picture, with wavy gold locks such as Grace Kelly‘s along with a simple flowery dress, for its movie that tied right into the haunting thriller At Close Range, starring then-husband Sean Penn.  Madonna’s performance of”Live to Tell” on her Tour, the last time she performed the song live, incited uproar and critical praise in equal measure because of its usage of provocative religious vision. Poor Girl (1993)

Another track from Madonna’s most underrated record, Erotica, includes a characteristically elegant look by Christopher Walken. Maybe you’ve discovered: Walken is an unbelievable dancer, and here he plays with Madonna’s toe-tapping guardian angel.  Madonna is such a fantastic performer, and her performance as a broken, gloomy girl whose self-destructive behaviour gets her murdered is among her very best. This movie is the first of many collaborations between Madonna and manager David Fincher with this listing. The sad, upsetting”Bad Girl” clip lingers in the memory long after you have seen it–such as all the manager’s best work out of Se7en into Zodiac. Papa Do not Preach (1986)

Madonna’s fourth No. 1 U.S. only was controversial because of its depiction of adolescent pregnancy. The movie was directed at James Foley, who also led Sean Penn at At Close Range. Here really is the mistress of reinvention’s original head-to-toe picture makeover; she tickles a slender, muscular body at the dancing breaks, using an edgy, gamine look motivated by Jean SebergAudrey Hepburn and Shirley MacLaine. Open Your Heart (1986)

No listing of Madonna’s most memorable movies is complete with this hot, clever and humorous dance-heavy clip. In reality, many believe this a defining event from the Queen of Pop’s profession: enjoying with a peep show celebrity reminiscent of Liza Minelli at Cabaret and Marlene Dietrich,”Open Your Heart” is the second Madonna subverted the male gaze.

In its nascence, this course was composed as a rockn’ roster known as”Follow Your Heart,” originally planned for Cyndi Lauper or The Temptations. Take a Bow (1994)

The R&B-infused Bedtime Stories age gave us a number of their most memorable Madonna movies, by the triumphantly unapologetic”Human Nature” (one of Madonna’s greatest live tracks), into the mystical, tantalizing”Secret,” but the greatest hit by her 1994 followup to Erotica was that this ballad. This was Madonna’s eleventh No. 1 single on the Billboard Hot 100, and it replaced Carole King since the female performer who had written the most tunes to top the graph.  The movie, filmed in Ronda, Spain, sees a tasteful Madonna preparing to have the role of Evita onscreen. Here she plays the fan of a bullfighter, performed with real life matador Emilio Muñoz. The video for Madonna’s 1995 monitor”You Will See” is a direct sequel. Oh Father (1989)

“Oh Father” is your largest tearjerker from what many believe to be Madonna’s greatest record, Like a Prayer. Another visually stunning cooperation with David Fincher, this was Madonna’s most autobiographical clip to there, possibly ever.  “Oh Father” sees a grownup Madonna finding grace with her daddy; his relationship was strained ever since her mom died when Madonna was 5 years old. This movie retains lump-in-the-throat psychological resonance for anybody who has had a strained relationship with a parent. Music (2000)

Madonna’s very first course of this new millennium gave her daunting task of living up to Ray of Light, the largest commercial and critical success of her livelihood.  And she did not disappoint. The amazing title track from Music is just one of Madonna’s very anthemic. The movie is a hip-hop celebration, full of humor and gender-swapped stereotypes (Madonna plays a pimp), co-starring Sacha Baron Cohen‘s infamous white rapper Ali G (that is six years earlier Borat). Madonna was pregnant with son Rocco in the time of filming, therefore she spends a lot of the video flaunting bling at the back of a limo with real life pals Debi Mazar and Niki Harris, prior to an animated interlude. Word has it Ali G deciphered Madonna up to date that she had difficulty keeping a straight face throughout filming.

Interesting fact: that really is not the first time Madonna got revived. Dramatic black Herb Ritts photos of Madonna bathing in the ocean with stunning, muscular mermen creates the movie similarly entrancing. This stands tall as one of the very uplifting pop tunes of all time, lush yet profoundly intimate. It peaked at No. 2 on the Billboard Hot 100, which makes Madonna the artist having the most consecutive top five hits ever, together with 16. Hung Up (2005)

After the commercial and critical disappointment of American Life (the corresponding Re-Invention Tour was a runaway success), Madonna plunged headfirst in an all-dance noise, producing Confessions on a Dance Floor. “Hung Up” has been Madonna’s 36th shirt 10 only on the Billboard Hot 100, linking her Elvis Presley since the artist using the most ever. The tune samples ABBA’s”Gimme! Gimme! Gimme! (A Man After Midnight),” and this is just the second time that the Swedish pop band enabled another artist to get his or her catalog.

The movie is Madonna’s personal tribute to John Travolta, and also more commonly to dancing and disco.  It’ll amuse you into submission. Frozen (1998)

This huge, melancholic electronica ballad has been the first single from Ray of Light, declaring the singer’s revolutionary new sound. The lyrics of this song are profoundly haunting, exploring the emptiness one feels when reluctant to link and be exposed.

By Terminator 2 into Titanic, the mid-to-late 1990s were a golden era for particular results. CGI was brand new, and just used sparingly, when completely essential, frequently to amazing effect. This is true for the ramifications in Frozen that created Madonna shapeshift onto a desert floor.  Express Yourself (1989)

This brassy ode to female empowerment is Madonna at her most populous (“Come , girls! Can you believe in love?”) , as well as the Fincher-directed movie, motivated by Fritz Lang‘s quiet sci-fi masterwork Metropolis, is a hugely scaled narrative of oppression, freedom and control. At the moment, its $5 million funding has been the largest ever to get a music video–and each penny of it’s on the monitor.

Kelly Clarkson auditioned for its very first season of American Idol using a full-bodied spin on this traditional feminist anthem…and the rest is history. Justify My Love (1991)

It is a indication of Madonna’s eminence a single used to market her first greatest hits collection is currently regarded as a touch track. This hot hotel celebration was too steamy for MTV, getting Madonna’s very first video prohibited on the community. She used this to her benefit, selling the movie as one on VHS (the very first music video ever sold in this format). It was hugely profitable. Nowadays, the Justify My Love video honestly seems pretty dull –and of course , artfully photographed. Bedtime Story (1994)

This enchanting, mind-bending synth monitor is the only cooperation between Madonna and Björk, that co-wrote it. The movie carried a $5 million price tag and has been eclectically motivated by surrealists, futurists and even early Egyptians. It obtained a limited release in movie theaters.

One of the vital aspects in Madonna’s unrivaled longevity is that her willingness to experiment, over and over and over. This clip is really a testament to this. A jaw-dropping cinematic accomplishment, it is like walking around within a Salvador Dali painting. “Bedtime Story” is just one of several music videos ever before to be permanently exhibited at the Modern Museum of Art. Vogue (1990)

Madonna began off the decade with a bang through the planet’s best selling only of 1990. The memorable Fincher-directed video attracted an underground movement to the mainstream. The clip is taken in classic black-and-white, appropriate for the bridge which name-checks classic Hollywood giants: (“Greta Garbo and Monroe/ / Dietrich and DiMaggio/ / Marlon Brando Jimmy Dean/ About the cover of a magazine/”).

nearly as popular as the movie itself was Madonna’s electrifying, flavorful Marie Antoinette-inspired functioning of the tune at the 1990 MTV Awards. Ray of Light (1998)

This thrilling, scenic masterpiece of this shape represents a day in the life span of this planet as we neared the end of this twentieth century. Madonna so admired Jonas Åkerlund‘s function on The Prodigy‘s controversial-yet-acclaimed, subversive”Smack My BUp” clip she chased him to direct the movie for Ray of Light‘s title track. They established that an inspired pair, which is the very first video by Madonna to acquire Video of the Year at the MTV Video Music Awards. “Ray of Light” also won 2 Grammys, for Best Short Form Music Video and Best Dance Recording.

Madonna underwent extensive vocal coaching in preparation for its lead part in 1996’s Evita, and this course is her best vocal ever. The tune was covered dozens of times by artists throughout the map. She noticed how hard the song is to sing. What It Feels Like For A Girl (2001)

Madonna’s most underrated gift has always been her gifts as a songwriter, and”What It Feels Like For a Girl,” lyrically barbed but sonically soothing, is among her greatest, most revolutionary tracks. The video and song both learn more about the harsh facts of being a female in a man’s world. The clip, directed by then-husband Guy Ritchie, comprises violent and upsetting material. It had been prohibited from broadcasting on MTV–although more barbarous clips by male musicians, such as Eminem‘s”Stan,” were deemed OK.

In light of this #MeToo motion, this tune and movie feel new–demonstrating once more that Madonna is and continues to be ahead of the time.  What It Feels Like For A Girl is close to the top of the list since it may be that the Madonna movie that strikes the toughest on a purely psychological level. Like a Prayer (1989)

By now the story is amusement business legend: Madonna had signed a lucrative sponsorship deal with Pepsi, just in time to get a Super Bowl commercial. The following day, Madonna released that movie, which was highly contentious. At the face of uproar, Pepsi revived the sponsorship deal, but not until Madonna walked off with a cool $5 million.

Madonna shocks and provokes; that is a part of her job. But lesser artists that have not seen the remaining power or influence of the Queen of Pop only push our buttons onto a surface , without needing to say leaving us much to chew on. After the shockwaves wear , you can enjoy the artistic worth and significance of Madonna’s work. In the center of the mythical clip, under all Madonna’s professionally engineered, true shocking theatrics, establishes a message regarding civil rights that has lost none of its value nearly 3 years later. “Like a Prayer” deserves its reputation as one of the best music videos of all time.

Do you agree with our listing of Madonna’s best movies? Believe we missed you? What’s your all-time favourite Madonna moment? Tell us in the comments!

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I’VE lied. I’ve cheated. I’ve destroyed relationship after relationship. All to avoid ever having to look at myself.

“But I’m so much fun!!!” I used to scream to anyone who dared criticise me or question my feckless actions as I wandered around Manhattan like a feral beast. “Everyone tells me I’m so much fun!”

Yes, I suppose “fun” is one word for it. “Sad” is another. Sad, and let’s be real: very, very bad.

I’ve had folks tell me before that as a dating columnist for the New York Post my life seemed like Carrie Bradshaw’s.

Sure, I suppose. If Carrie Bradshaw had a drinking problem. And a sex addiction problem. And, well, all the problems.

Growing up in San Diego, I had my first drink at 13. Two short years later, while blackout drunk, I lost my virginity to rape at the hands of a distant relative while spending the summer in Portland, Oregon.

This was long before the #MeToo era. I blamed myself — and my parents blamed me, too. Addiction was a vicious cycle for me: Hate myself. Get wasted to forget. Hate myself for getting wasted. And the cycle repeats.

By its very nature, addiction is a battle you can never win. A little just makes you want it all. Two or three or twenty drinks stops being enough. A one-night stand stops being exciting.

In 2008, I gave up my dating column “About Last Night” in The Post in order to increase the chances of the upper-crust man I wrote about called “Super Preppy” asking me to marry him. But one night, after two years of dating, I just … snapped. I realised: He was never going to marry me. So after far too many martinis and a lot of desire for revenge, I simply decided to do the most “unwifeable” thing possible. I met two hot Italian pilots on the street, bummed a cigarette, and took them home for a night of sex, debauchery, and, well, the opposite of a marriage proposal.

Things spiralled out of control after that.

When I was at my most self-destructive, I was hooking up with drug dealers and answering ads on the Craigslist’s Casual Encounters section posted by strange men looking for “snow bunnies” (girls who did cocaine).

All told, I fooled around in some form with a dozen men from the site. All told sexually, my number is not too far off from other New York women I’ve met — under 100, over 50 — but it wasn’t so much about quantity and more about total lack of quality.

One time, I posted online that I was looking for something akin to a sugar daddy. The first few guys that responded — before the ad was taken down because it probably sounded like blatant prostitution — all sounded like cops, and I chickened out. Another night I considered taking “100 roses” from a sad little man who posted that he was “looking for a girl to show off.” (One rose is code on Craigslist for one dollar.) I didn’t take the money he had laid out. Instead, we sat uncomfortably on the couch together watching Apollo 13. Before I got up to leave, I asked if he’d tell me his real name. He refused. What if someone found out?

A friend of mine, the notorious and often shocking comedian Jim Norton, once listened to me patiently as I described a night of doing coke and fooling around with an S&M couple before later meeting and sleeping with another stranger at 5 in the morning who had responded to my incredibly subtle posting on Craigslist entitled: “Need to get fu**ed right now.”

Norton responded to my “wild and crazy” story with something I didn’t expect: concern.

“Jesus, Mandy,” he said. “You need to be more careful.”

As much of a wake-up call as that should have been, it was something far subtler that led me to realise I needed to stop living like my life was one long hilarious prelude to a suicide. After getting debased at a sex club party (okay, that part wasn’t subtle), I felt depressed and alienated that the guy who took me (just some random filmmaker who I met at a Page Six going-away party) seemingly blew me off. Desperate to recreate the high, I went home with a man who, after doing enough drugs with him, I came close to having sex with — before realising I really had no desire at all.

“Let’s be friends,” I told him as I went to leave.

“I don’t think so,” he said.

This event mentally bottomed me out. None of this was fun anymore. It triggered the worst depression I’ve ever experienced.

On June 28, 2010, I swore off drugs and alcohol once and for all.

But, as anyone who’s ever experienced it in their own life knows, addiction is akin to one of those Whac-A-Mole games. Whack one thing down, another pops right up. Once substances were off the table as an option, I became even more addicted to sex.

To absolutely no one’s surprise, it all came crashing down when I ran out of money and ran out of men. Moving back home to live with my parents at the age of 36 with less than $300 in the bank, I knew it was time for me to finally look at myself — and every bad thing I’d ever done.

Self-care became a full-time job, and I went to 12-step meetings like my life depended on it. Because, with addiction, it often does.

I was determined to find out why I kept degrading myself and hurting so many people. After several years, I grew to accept and forgive and even integrate what darkness lurked beneath the surface — so that it didn’t consume me.

I decided to embody the old adage that there is no greater disinfectant than sunlight.

I figured out that having a checkered past doesn’t mean you need to destroy your life because of it. Gravitating toward the risqué, questioning the status quo and defying convention (at least when you do it in a healthy and honest way) are some of my favourite parts of myself.

I realised I really didn’t want to change myself in order to fix the many “deal breakers” men saw when they looked at me. I also doubted that I’d ever get married again.

My first marriage in 2000 at the age of 25 ended in a messy divorce in 2005 (weeks before starting at The Post). And a lot of my self-hatred (and subsequent addiction) came from trying to suppress myself for other people.

Maybe I was “unwifeable,” I joked to friends and family. Maybe I liked that about myself.

Eventually, that’s exactly what happened. Something revolutionary. I learned to like myself.

I stopped letting life happen to me. I stopped thinking chaos was glamorous. I stopped pretending. I returned to New York again (taking a job at xoJane in August 2012) and was able to survive.

Right before Valentine’s Day in 2015, I was hired for $20,000 by a dating site to go on a spree of romantic stunts (including walking around Times Square wearing a sign that I was single).

During this time, I met a man at a comedy club who caught my eye. He looked like a private detective wearing a trim grey suit and a scowl. I asked him if he’d be up for participating in one of my “stunt dates.”

In a perfect twist of irony, it took something as “fake” as a stunt date to make me finally get real.

At the very start of our date, I handed him a piece of paper with a list detailing all of my “Relationship Expectations.” I spelled out what I wanted, really forcing myself to think about it: I didn’t want to be cheated on. I didn’t want to be insulted.

I wanted to be treasured and loved.

Did that make me “unwifeable”? I didn’t care anymore.

I expected the date to last two minutes because he was being given a list of emotional demands right away — like, before we even ordered. Instead, he read it over carefully and quietly while I sat in the coffee shop sweating bullets.

“I don’t know,” he said, and then a smile broke through, “this all seems fairly reasonable.”

A stand-up comic (of course), my husband Pat Dixon proposed to me in under seven months. I got engaged on the last day of my thirties on the steps of Times Square.

This unlikely redemption tale is what led me to write the most difficult story of my life — my memoir Unwifeable — as a tribute to anyone who feels trapped: in their past or the present, as the hero or the villain, as the wifeable or the unwifeable.

Honestly, I don’t think I would be as happy a wife if I hadn’t been so unwifeable.

And I don’t think I could have ever found my good without coming to terms with everything I’ve done that was so very, very bad.

Unwifeable (Gallery Books) is available now from Amazon

This article originally appeared in the New York Post and is republished with permission.



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